2018 was a busy year for me. I made two SheLift films – both of which can be seen here – but by far, the highlight of the year was telling the remarkable story of Kaitlin Heatherly’s trip to the Paraclimbing World Championships – “DEAD LAST”.
Without a doubt, Portugal is becoming a world destination. The capital Lisbon is a charming city filled with quaint restaurants, cool cablecars and a booming nightlife. The small country also has an immense history and a pretty diverse climate. But beyond the obvious choice of flying in, popping a few bottles of wine and watching the big Atlantic Ocean waves crash into the majestic cliffs, Portugal also has a booming adventure industry.
With all of Escalante’s canyons, the best time of year to visit is in the spring or fall when the temperatures are not extreme, and the crowds are typically less. And out of those two seasonal options, my favorite time of year is late fall – specifically early November.
It’s taken me some time to realize the importance of community. Not just my extended photography community, but also the community in which I live. When I was asked to shoot a social campaign for Blundstone Boots, I was stumped at first because they were looking for farm photography and I mostly focus on adventure/lifestyle. But then I realized I had a community of sustainable farmers – many of whom I’ve shared a beer with – living right here in the Roaring Fork Valley. Within a few hours, I had put together a book and casting list and had it sitting in Blundstone’s inbox.
Last winter I went on a journey that’s been on my list of to-dos for some time. I convinced Sarah Herron into joining me, despite her fears (the original plan was to sail from Panama to Columbia). This was going to be our first trip since we officially starting dating that didn’t involve some sort of sponsored aspect. I wanted to explore, just the two of us, with zero expectations from anyone, especially us! And just enjoy travel photography and the simple art of exploring!
I’ve been coming to the desert for my whole life. People have all kinds of reactions when they step foot into a deep canyon or stand on the edge of a 300-foot cliff. At first they are intrigued, looking around, agape by the beauty, and then it hits them, and they pull back, suddenly afraid of how small and impermanent they feel. But slowly they work out of the shock, realize what’s around them, see the beauty, and understand the power of this landscape and their existence. (NSFW — Contains Nudity)
For Impermanence II, my collaborator was Katie Alderson –– a performing artist who I’d seen perform at a couple local events. She was petit, pretty and had a confident edge to her. I had seen some of her movements onstage and after a few conversations, knew that she would bring a dimension to the series that I hadn’t anticipated originally. (NSFW – Contains Nudity)
I didn’t want “Impermanence” to be the standard girl-gets-naked, strikes-a-sexy-pose, turns-you-on kind of photoshoot. I wanted this to be art. I wanted it to illicit a deeper sense, something that made you pause and appreciate not just the beauty, but a deeper meaning. (NSFW – Contains Nudity)